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<ArticleSet>
<Article>
<Journal>
				<PublisherName>Iranian Sociological of Association</PublisherName>
				<JournalTitle>Iranian Journal of Sociology</JournalTitle>
				<Issn>1735-1901</Issn>
				<Volume>25</Volume>
				<Issue>4</Issue>
				<PubDate PubStatus="epublish">
					<Year>2025</Year>
					<Month>01</Month>
					<Day>20</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Image of Women in Iranian Newspapers: Patriarchal Discourses and the Portrayal of Passive Subjects</ArticleTitle>
<VernacularTitle>Image of Women in Iranian Newspapers: Patriarchal Discourses and the Portrayal of Passive Subjects</VernacularTitle>
			<FirstPage>117</FirstPage>
			<LastPage>140</LastPage>
			<ELocationID EIdType="pii">737323</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jsi.2025.2049047.1763</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Bahar</FirstName>
					<LastName>Atashkar</LastName>
<Affiliation>PhD Student, Department of Social Sciences, Faculty of Humanities, University of Isfahan, Isfahan, Iran</Affiliation>
<Identifier Source="ORCID">0000-0002-7083-4903</Identifier>

</Author>
<Author>
					<FirstName>Ehsan</FirstName>
					<LastName>Aqababaee</LastName>
<Affiliation>Corresponding Author, Associate Professor, Department of Social Sciences, Faculty of Humanities, University of Isfahan, Isfahan, Iran</Affiliation>
<Identifier Source="ORCID">0000-0002-9585-2016</Identifier>

</Author>
<Author>
					<FirstName>Taghi</FirstName>
					<LastName>Azadarmaki</LastName>
<Affiliation>Professor, Department of Sociology, Faculty of Social Sciences, University of Tehran, Tehran, Iran</Affiliation>
<Identifier Source="ORCID">0009-0001-3154-8226</Identifier>

</Author>
<Author>
					<FirstName>Hamidreza</FirstName>
					<LastName>Shairi</LastName>
<Affiliation>Professor, French Language Department, Faculty of Humanities, Tarbiat Modares University, Tehran, Iran :</Affiliation>
<Identifier Source="ORCID">0000-0001-5667-3827</Identifier>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2024</Year>
					<Month>12</Month>
					<Day>26</Day>
				</PubDate>
			</History>
		<Abstract>This study explores the portrayal of women in 1990s newspapers through the lens of social semiotics. This study aims to explore how female subjects are turned into passive subjects through stereotypes, cultural codes, and semiotic mechanisms. To achieve this&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;, &lt;/span&gt;nine images were purposefully chosen and examined across three levels which are as follows: representational&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;, &lt;/span&gt;interactive, and compositional. At the representational level, the images portray women as social victims, ideological subjects, or as being tied to power discourses. At the interactive level, the viewing angle, distances and missing gazes highlight the passivity and detachment of women from the social environment. Moreover, at the compositional level, the application of colors&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;, &lt;/span&gt;layout, the inclusion or emphasis on certain elements, and lighting highlight the social and cultural restrictions imposed on women. The findings of the study reveal that the portrayal of women in this era was predominantly shaped by patriarchal, masculine and ideological discourses, which transformed female subjects into passive subjects&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;. &lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">This study explores the portrayal of women in 1990s newspapers through the lens of social semiotics. This study aims to explore how female subjects are turned into passive subjects through stereotypes, cultural codes, and semiotic mechanisms. To achieve this&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;, &lt;/span&gt;nine images were purposefully chosen and examined across three levels which are as follows: representational&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;, &lt;/span&gt;interactive, and compositional. At the representational level, the images portray women as social victims, ideological subjects, or as being tied to power discourses. At the interactive level, the viewing angle, distances and missing gazes highlight the passivity and detachment of women from the social environment. Moreover, at the compositional level, the application of colors&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;, &lt;/span&gt;layout, the inclusion or emphasis on certain elements, and lighting highlight the social and cultural restrictions imposed on women. The findings of the study reveal that the portrayal of women in this era was predominantly shaped by patriarchal, masculine and ideological discourses, which transformed female subjects into passive subjects&lt;span dir=&quot;RTL&quot; lang=&quot;FA&quot;&gt;. &lt;/span&gt;</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Representation of Women</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Social Discourses</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Social Semiotics</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Iranian Print Media</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Social Passivity</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">http://www.jsi-isa.ir/article_737323_f2818bc04faac3122ec3f8b1bed9b5da.pdf</ArchiveCopySource>
</Article>
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